Marketing Strategy and Competitive Positioning (4th Edition) Review

Marketing Strategy and Competitive Positioning (4th Edition)
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I needed this book quickly, and I needed it new or like new. It came well packaged and super fast. The use of the letter 's' in place of the 'z' takes getting use to, but so far so good, I have no complaints.

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Political Agendas for Education: From the Religious Right to the Green Party, Third Edition Review

Political Agendas for Education: From the Religious Right to the Green Party, Third Edition
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The book covers multiple contributions of the no child left behind legislation but the lack of effectiveness can be more clearly defined. The book gives some background on the each political parties motivation to contribute to the laws about the future of education in our country and how racism and classism still trump the moral obligations of our leadership.

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In Political Agendas for Education: From the Religious Right to the Green Party, Third Edition, Joel Spring brings up-to-date his description and analysis of the current educational agendas of major political players and organizations. The focus of this edition is the 2004 presidential campaign and the No Child Left Behind Act of 2001. Spring discusses the ideological perspective of each major political group and how its ideology is represented in No Child Left Behind: *The religious agenda of Republicans who identify themselves as compassionate conservatives; *The free market ideology of Republicans who consider themselves neoconservative Republicans; *The thinking of the New Democrats, who claim a major responsibility for passage of the No Child Left Behind Act and support its accountability requirements; and *The educational agendas and criticisms of No Child Left Behind offered by Ralph Nader's 2004 presidential campaign organization, the Green Party, the Rainbow Coalition, and the National Organization of Women. Political Agendas for Education: From the Religious Right to the Green Party, Third Edition is an essential text for courses dealing with the politics of education, foundations of education, educational leadership, and curriculum studies, and a must-read volume for educational scholars, professionals, policymakers, and all those concerned with the politics of education in the U.S. and its consequences for schools and society.

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Swing: A Beginner's Guide (Beginner's Guide (Osborne Mcgraw Hill)) Review

Swing: A Beginner's Guide (Beginner's Guide  (Osborne Mcgraw Hill))
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This book is well organized and thought out. It is written clearly. It does not waste time with Java primers and it avoids excessive verbiage. Concepts are built logically, step by step and each has a clear complete example to illustrate. I own several books on Swing, and this one is by far the best introduction to the API.

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From the world's bestselling programmingauthor

Using the practicalpedagogy that has made his other Beginner'sGuides so successful, Herb Schildt provides new Swingprogrammers with a completely integrated learningpackage. Perfect for the classroom or self-study, Swing:A Beginner's Guide delivers the appropriate mix of theoryand practical coding. You will be programmingas early as Chapter 1.


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The Marketing Playbook: Five Battle-Tested Plays for Capturing and Keeping the Lead in Any Market Review

The Marketing Playbook: Five Battle-Tested Plays for Capturing and Keeping the Lead in Any Market
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For those directly (or even indirectly) involved in their organization's marketing initiatives, what Zagula and Tong offer in this volume can be very helpful. They introduce and then rigorously examine what they call "five battle-tested plays for capturing and keeping the lead in any market." Use of "any" is an exaggeration because, of course, it is imperative to market whatever one offers only where potential is greatest for sufficiently profitable sales. Zagula and Tong duly note that "no matter what the play, if you're running it on the wrong field or with the wrong resources, it just won't work." In marketing as in thoroughbred racing, "there are courses for horses." Also, different situations require different "plays." Here are the five which Zagula and Tong offer for consideration:
The Drag Race: "In some circumstances, your best bet calls for singling out one competitor and putting the pedal to the metal racing against them to win."
Comment: Endorsed by Henry V, the Russian forces at Balaclava, and Crazy Horse and his Oglala Sioux warriors...but not by the French forces at Agincourt, Lord Cardigan and the Light Brigade, and the Seventh Cavalry under Lt. Col. George Armstrong Custer's command at the Little Big Horn.
The Platform Play: Once dominant, develop strategic alliances and strengthen position because "you never know from where a new challenger is likely to emerge."
Comment: Obviously, the strategy and tactics are almost wholly defensive. This allows time to consolidate, train, refresh, obtain and evaluate competitive intelligence, and in all other appropriate ways anticipate threats to dominance.
The Stealth Play: As you gather resources and complete preparations, whittle away at the incumbent's weak points. However, never forget that "big, dumb, slow companies can still squish you."
Comment: An excellent strategy for organizations with severely limited resources. Margins for error are razor-thin. The "big, dumb, slow companies" can afford to carpet bomb. Be a sniper. Carefully read Sun Tzu's The Art of War, especially the chapter on Estimates. Also Jason Jennings' Think Big, Act Small.
The The Best-of-Both Play: Rather than focus on compromises ("trade-offs") at both the high and low ends of the given market, gain dominance over the entire category "by collapsing these two ends. If you appeal to the most important needs of each segment of the market, you can win them all."
Comment: Huge "if" because, when attempting to appeal to all market segments, you could lose in competition for dominance in any one of them.
High-Low Play: Try to close out the competition by splitting the given category and thereby owning both. "This is the hardest play to manage, but if it's done right, you'll achieve high volumes and high margins at the same time."
Comment: An even greater "if."
Any summary such as this fails to establish for any one "play" the extensive context within which Zagula and Tong carefully explain the relative advantages and disadvantages of each. Hence the importance of the "Take-Aways" section which they provide at the end of the chapter which they devote to each of the five. Hence the importance, also, of Chapter 7 in which they discuss how to "shift gears" from one to another, Part II in which they help their reader to analyze the the "terrain" of her or his own competitive marketplace (i.e. mapping both perils and opportunities), and Part III in which they explain HOW to initiate and then sustain an appropriate play "as a killer campaign."
Of special interest and value to me is what Zagula and Tong have to say about "The Campaign Brief." It is thoroughly explained in Chapter 13. Here is a brief excerpt:
"First, your campaign brief will be a single document you'll follow for the campaign, so you'll need to cover pretty much everything.....You find the key points, the essence, of all the analysis, strategy, and guidance you've come up with so far -- and cram it all onto a single page. That's right, onto one single page....On the one page, you're going to put three core paragraphs that lay out the whole rationale for your strategy, each paragraph no longer than three sentences" which assert case, story, and positioning" followed by two paragraphs which specify key support followed by objectives, goals, and metrics. Zagula and Tong urge their reader to be able to complete the Three We's: We believe..., We will..., and We are....
No brief commentary such as this can possibly do full justice to the abundance of information and the wealth of insights as well as recommendations which Zagula and Tong's book provides. Suffice to say that it provides a cohesive, comprehensive, and cost-effective program which, for obvious reasons, must then be modified to accommodate the specific needs, interests, and resources of each reader's own organization.

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How To Open & Operate a Financially Successful Pet Sitting Business: With Companion CD-ROM (How to Open and Operate a Financially Successful...) Review

How To Open and Operate a Financially Successful Pet Sitting Business: With Companion CD-ROM  (How to Open and Operate a Financially Successful...)
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This is something I do on the side; pet sit. When I began reading this, I found it a very interesting and useful tool for people who want to actually move their part time, or extra cash making pet sitting business into an actual full time career. It explains how to go about getting a lawyer and how having one can help you through not only legal matters but even just registering your business' name. This book goes through many different ways of setting up ways to be paid, so you have many options on how large or small to make your bill. In later chapters it also explains on how to care for each type of animal in order to further educate people so they can become good pet sitters.
This book is packed with so much information, but is not excessively long. If you're an animal lover and wanting to open your own business dealing with them this is the book for you. It is well worth the $39.95 price tag. This book defiantly deserves a 5/5.


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Get on TV: The Insider's Guide to Pitching the Producers and Promoting Yourself Review

Get on TV: The Insider's Guide to Pitching the Producers and Promoting Yourself
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OK. I admit it. When I agreed to review "Get on TV" by Jacquie Jordan it was for my own selfish reasons. My new novel had just been released, and I was looking for a way to get on TV for added exposure. So naturally, I chose the book with the perfect title, and man am I glad I did.
In "Get on TV" veteran TV producer and insider Jacquie Jordan (who has worked with folks like Donny Osmond and Maury Povich) reveals valuable information on what it takes to get on television. The books gives detailed information on topics such as how to assemble a press kit, how to speak the language of TV producers and how to set realistic expectations on appearing on your favorite (and not so favorite) news and talk shows.
"Get on TV" works on multiple levels, mainly because the reader can feel the author's genuine authenticity when reading between the lines. It's not one of those books that was written solely to promote the author's business. In fact, Jordan even shares ways to circumvent the need to hire an agency like hers. You gotta love and respect that.
Though the book is packed with outstanding information, including a sample release form, contact information for all of the major networks and Jordan's insider info, some of the material (like definitions and learning the lingo) seemed to be overkill. But don't let this minor distraction fool you. Jacquie Jordan knows her stuff, and if you follow the advice in this book it wouldn't surprise me at all if I saw you on TV soon after. Buy this book and follow the advice given and I know I'll see you on the small screen.
Emanuel Carpenter
Author of "Where is the Love?"
emanuelcarpenter dot com

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Expert advice on how to get booked and asked back!"Jacquie ought to know how to get you on TV...she's put half the country on TV, including me." --Maury PovichIn Get on TV!, Jacquie Jordan brings her expert advice straight to you--the entrepreneurs, experts, authors, and future reality stars looking to land a television spot. Jacquie shows you the ins and outs of the TV business and what you need to do to get booked (and asked back), including:--The importance of tape and materials--Speaking the language of the television producer--Being persistent without being annoying--What to do when you're booked and cancelled--How to get asked back again and againIf you know the right moves, you can get on TV!"Jacquie has the ability to maintain a fair balance between the voice of the project she is producing and the needs of her guests." --John Edward, psychic medium and author of Crossing Over, host of John Edward: Cross CountryJacquie Jordan has been involved in booking, supervising or producing over 10,000 television guests, as well as coaching countless people on how to get on air.

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Ideas into Words: Mastering the Craft of Science Writing Review

Ideas into Words: Mastering the Craft of Science Writing
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The author provides many examples of great scientific writing. Such writing involves translating difficult-to-understand abstractions into concepts easy to understand and related to our current knowledge.
Her writing was a delight to read.
"As the article proceeds, it is as if the selected facts are coated in honey, so that they slide down easy, one pill at a time. No reader will go away thinking, Boy was that turgid, I had to learn a new word just about every paragraph - even though she did."
The book is organized into the following chapters:
1 A Matter of Attitude
2 Finding Stories
3 Finding Out: Research and the Interview
4 Writing: Getting Started adn theSTructure
5 Writing: The Nitty Gritty
6 Refining Your Draft
7 When You're Feeling Stuck
What I particularly liked:
+ her ability to use extended similes, metaphors
+ things that make scientific writing different
+ watch out for scientific mavericks
+ how to find scientific story ideas (excellent)
+ don't confuse a topic with a story idea
+ all of her material on interviewing (excellent, particularly the questions to ask)
+ focusing on the most likely reader, but also the other ones
+ her method of writing was unique (lack of exploratory free-writing, don't spill the beans on your story before you write)
+ her recommended use of organic shapes for your writing (excellent)
+ "build the picture before you supply the name" (how to define technical terms)
+ some great tips on putting on a fresh set of eyes before you start to revise and then edit.
+ re-organizing the paragraphs using their "gists"
+ "... in a term paper you tell. In a professional writing, you show."
I highly recommend this book for anyone who writes, but particularly for anyone who wants to write for the scientific or technical markets.
John Dunbar

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